是什么让我们变得善良或邪恶？科学奖希望挑战这个未解的难题。他们想揭开精神病杀人犯的真面目，我们与这些可怕之人有什么不同？如果的确存在一种化学物质，那么我们不仅可以对它进行测量还可以控制它，他们的发现说明了人类善恶观有关的一些问题！

Igor Alejnikov和Gleb Alejnikov兄弟创作于1987年的另一部实验短片，在影像的实验性上比之前的《革命的蓝图》更为先锋，影片无对话，以怪诞的背景音乐和对比式的平行蒙太奇来表达作者的思想。

Igor Alejnikov和Gleb Alejnikov兄弟创作于1987年的另一部实验短片，在影像的实验性上比之前的《革命的蓝图》更为先锋，影片无对话，以怪诞的背景音乐和对比式的平行蒙太奇来表达作者的思想。

笑阳姊妹是一个乡村教会基层堂点的负责人，带领着十几个信徒。她已经结婚登记了，但她认为她丈夫信得 不好，所以一直没有在教堂举行婚礼，只想等待丈夫受洗后再举行婚礼。整个影片只讲了一天的事情。说的是她分别去几个地方见不同的几个人办事，但在这一天中，唯一做成了的只有为他们教会堂点诗班订做十字架乐杖。

由up主风羽酱-sdk制作的《游弋在风暴之中》是国内首部聚焦气象领域的长篇参与式纪录片，台风、雷暴、龙卷这些风暴是大气运动最为狂野的现象，却吸引着一批人去追击。知名UP主风羽酱和中气爱-青年追风人共同跨越十省的追风之旅，他们深入台风眼，亲历长江洪灾与鄱阳湖干涸，捕捉气象变迁中珍贵的影像与数据。影片呈现神奇壮丽且具破坏性的极端天气，也承担气象科普的任务，分享风暴知识，当气候危机日益严峻，以创造性实践重构人与自然的对话方式，或将成为新的命题。 作者序：台风、雷暴、龙卷这些风暴是大气运动最为狂野的现象，却吸引着一批人去追击，我的好友仙人球正是这样的追风者。我们上大学时就开始积累追风素材。从我第一次拿起相机，到6年前遇见仙人球，到现在已经过去13年的时间。这部影片是我和追风好友王路澄的第一视角，它将呈现神奇壮丽而具有破坏性的极端天气，以及人在风暴下的行为。

A mentally unstable man, who has been kept in isolation for years, escapes and causes trouble for his identical twin brother.

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. 　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. 　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.

鬼才“白石晃士”が贈る、全ての常識をぶち壊す暴力エンタテインメント!心霊ビデオの監督の白石コージは新作を撮影中、笠井暁大と山本剛史という二人組のチンピラに現場をメチャクチャにされてしまう。企画をつぶされ、うろたえる白石。そこへあの二人組が訪ねて来る。彼らは白石にギャラを要求、さらに自分達主演で画期的な心霊ビデオの制作を持ちかける。勿論、断る白石だったが…。